Year in Review

2013: Work & Other Adventures

The quote I chose to write on the wall in Calgary on our first tour stop.

The quote I chose to write on the wall in Calgary on our first tour stop.

2013 was a big year for me on the work front. It was also the first year that I had multiple confirmed projects (3!) get cancelled with only a few months notice. This certainly changed my year from going as I thought, but it also opened the door to some new opportunities.

I rang in 2013 with Atomic Vaudeville as I prepped to head out on the national tour of Ride The Cyclone. I can honestly say that I had no idea what I had gotten myself into when I signed up to stage manage that show, but it led to an amazing four months that took me to Victoria, Calgary, Vancouver, Edmonton, Toronto (on hiatus), Winnipeg, Vernon (on hiatus), Saskatoon & Nanaimo. There are people from that tour that I miss on a daily basis.

Home sweet home!

Home sweet home!

That tour (with the help of my parents) also afforded me the opportunity to buy a condo. So when the tour ended at the end of April, I took possession of my lovely new home. I spent a week doing all the renos: new fixtures, new paint, tile on the kitchen walls, and so on and then celebrated my 27th birthday with a big ol’ party in my new home.

The wreckage that remained at the end of the show.

The wreckage that remained at the end of the show.

May ended with a trip over to Robert’s Creek on the Sunshine coast to work with The Only Animal for their part of the Obstructions series: Stupid Is As Stupid Does. My role on that show became unique from all other Stage Management I’ve done when I was asked to create a three-tiered wedding cake covered in red, white and blue roses that would be cut up with a chainsaw before being eaten. But it was a creative challenge I was excited about and I spent my evenings after rehearsal baking cakes. Our rehearsal of the cake cutting (with a practice cake) yielded hilarious results, including me covered in cake crumbs from head to toe. There may be some video of that kicking around, but sadly I do not have any of it.

Once that show was over, I jumped head first into working with the Vancouver Board of Parks & Rec on the annual Arts, Health & Seniors Gala that I’ve been coordinating for the past couple of years at the Roundhouse. This year the performances included a choir, puppets, and lots of video projects. But the funnest part of the event is always helping to serve the luncheon – especially the dessert. Everyone in the room gets so excited about dessert!

Summer was a time where two projects fell through. The way I looked at my remaining options was this: “I can stay in Vancouver and make no money sitting on my ass while my friends all work, or I can make no money going to Toronto and working my ass off with my friends and with other new connections.”  For me this was a no brainer, so I jumped on an airplane and made a temporary move to Toronto. Temporary contracts with Toronto Pride and Fringe Toronto got me off to a great start and opened the doors to all sorts of opportunities to both make friends and see shows.

The chorus of Paradises Lost.

The chorus of Paradises Lost.

And then the work started in earnest with two shows at SummerWorks Eating Pomegranates Naked and Paradises Lost. The first was the project that took me to Toronto in the first place, and the second was a glorious surprise that I didn’t expect, but I so enjoyed another opportunity to work on opera. I was frequently rehearsing seven days a week, but it was a blast. On my days away from rehearsals I was adventuring around Ontario to see friends but also associate producing Aim for the Tangent’s Mature Young Adults. In fact, I attended a rehearsal of MYA with suitcase in hand on my way to the airport to fly back to Vancouver.

My favourite photo from the circus this year.

My favourite photo from the circus this year.

12 hours after arriving in Vancouver I was on my way back out-of-town – on a ferry headed for the Sunshine Coast. I joined up with Deer Crossing The Art Farm to be the circus manager for the 2013 edition of the Rainforest Circus: Circus of Chance. That show was probably the most exercise I’ve ever gotten on a show, running through the rainforest from station to station.

Then it was a ferry back to Vancouver and straight to a production meeting and my first day of prep for Rumble Theatre’s Penelope. That show was a fantastic experience and truly disgusting – mostly because of the amount of junk food we went through every night. It also had a flaming BBQ. Which was fantastic when it worked (though sadly it didn’t always work – especially in week 2).

Next came NYET with Zee Zee Theatre and artists from across the country standing up and having a conversation about Russia’s anti-gay legislation. Such a fantastic night with an amazing group of artists.

Except in the Unlikely Event of War

Except in the Unlikely Event of War

Of course, NYET happened while I was in rehearsal for Sean Devine’s latest, Except In The Unlikely Event of War with Pi Theatre Horseshoes & Hand Grenades Theatre. Pretty sure it’s the first time I’ve had actual lines in a play and also the first time that I’ve had an audience cheer for me at the end of the show. Thankfully I didn’t have to memorize my lines as I could read them from my prompt script every night. And every night I cursed Sean just a little bit for writing me into the play.

Mom and I taking selfies up the mountain.

Mom and I taking selfies up the mountain.

After such a busy year, I intentionally took December off to rest and regain some balance. A trip to see family for the holidays and celebrating Christmas with a Doctor Who topped Christmas tree were just a part of it.

Which brings us to today. Today was supposed to be my first day on my next gig, but it was one of the ones that got cancelled this year. Instead, I’m writing this blog, reflecting on the year that has been, and looking forward to what lies ahead.

2013: Shows I Saw

It’s that time again – time for the official list of all the shows I saw over the past year. I had to wait until today as I had one last show to see yesterday and I wouldn’t want to miss them from the overall list.

The numbers, you’ll notice, are down this year. And not just by a little bit. It’s over half fewer than last year. And I’m actually really happy about that. If you recall, I’ve suggested that I need to spend less time in the theatre so that I don’t burn out on it, and I think this year helped with it.

Also of note: 25/80 shows I saw were at a Fringe Festival in either Vancouver or Toronto.  That’s huge!  Thank you Fringe’s of Canada for making affordable opportunities for great talent to visit our cities.

2013 Shows Seen List

1. CÉDRIC ANDRIEUX (Jérôme Bel at the PuSh Festival)
2. Winning (Cerca Irish Theater Festival, Edmonton)
3. The Kite Runner (Theatre Calgary/Citadel Theatre)
4. Romeo & Juliet (National Ballet of Canada)
5. Ching Chong Chinaman (Fu-Gen)
6. The Seagull (Upstart Theatre)
7. Medieval Times Toronto
8. My Best Friend’s Boyfriend (New Ideas Festival)
9. Bashir Lazhar (Theatre Projects Manitoba)
10. Daddy Long Legs (Manitoba Theatre Centre)
11. Sexy Laundry (Persephone Theatre)
12. Nanaimo Burlesque
13. Tea: Mirror of Soul (Vancouver Opera)
14. El Jinete (Puente Theatre)
15. Vincent Transitional (Stacy Sherlock at rEvolver)
16. Craigslist Cantata (Arts Club)
17. Sea of Green (at rEvolver)
18. How to Write a New Book for the Bible (PT)
19. Chernobyl: the Opera
20. Dissolve (Shameless Hussy Productions)
21. Kayak (Alley Theatre at rEvolver)
22. Brief Encounters Revisited (at rEvolver)
23. Mump and Smoot in “Something” (Mump & Smoot at The Cultch)
24. Obstructions: Don’t Do Dick (Rumble)
25. You Are Very Star (The Electric Company)
26. Hamlet (Bard on the Beach)
27. Passion Play (Convergence/Outside the March/Sheep No Wool)
28. Genesis & Other Stories (Aim for the Tangent at FringeTo)
29. Polly Polly (Jessica Moss at FringeTo)
30. We Are the Bomb (Theatre Brouhaha at FringeTo)
31. Big Metal Box (at FringeTo)
32. Bad Guys Finish First (at FringeTo)
33. The Truth About Comets (at FringeTo)
34. Jacquieries
35. The Light in the Piazza (Shaw Festival)
36. Merry Wives of Windsor (A Company of Fools)
37. Waiting for Godot (Stratford)
38. Tommy (Stratford)
39. How to Disappear Completely (Elbow Theatre)
40. Seven Important Things (at SummerWorks)
41. The End is Pie (at VideoFag)
42. Miss Shakespeare (MusicalWorks in Concert)
43. Avenue Q (Arts Club Theatre)
44. Hockey Night at the puck & Pickle Pub (Monster Theatre)
45. Dear Life (at VanFringe)
46. Radio: 30 (at VanFringe)
47. My Hole Life (at VanFringe)
48. This is not a Porno (at VanFringe)
49. Meanwhile (at VanFringe)
50. The Troll and the Three Lesbians Gruff (at VanFringe)
51. The Adversary (Andrew Bailey at VanFringe)
52. Ca.Sandbar (at VanFringe)
53. Little Pussy (John Grady at VanFringe)
54. Dirk Darrow: NCSSI (at VanFringe)
55. Threads (at VanFringe)
56. Unpossible (Travis Bernhardt at VanFringe)
57. Kitt & Jane (SNAFU at VanFringe)
58. This is my Room (at VanFringe)
59. Strapless (at VanFringe)
60. Butt Kapinski (at VanFringe)
61. Innocent When You Dream (at VanFringe)
62. Searching for Dick (Tara Travis at VanFringe)
63. 6 Guitars (at VanFringe)
64. The Foreigner (Pacific Theatre)
65. Armstrong’s War (Arts Club)
66. Obstructions: A Certain Kind of Darkness (Theatre Replacement)
67. Of Mice & Men (Hardline Productions)
68. Bulletins from Immortality (Margie Gillis Dance at The Cultch)
69. Communion (Ruby Slippers at PT)
70. Tosca (Vancouver Opera)
71. The Rap Guide to Evolution (at The Cultch)
72. People Like Us (Firehall)
73. Relatively Speaking (Western Gold)
74. The God that Comes (2b Theatre at The Cultch)
75. Cool Beans (Solo Collective)
76. It’s Snowing on Salt Spring (Arts Club Theatre Company)
77. The Daisy Theatre (Ronnie Burkett at The Cultch)
78. Jack & The Bean Stalk: East Van Panto (Theatre Replacement/The Cultch)
79. Little Brother, Little Sister (Caravan Farm Theatre)
80. Uncle Vanya (Blackbird Theatre)

2012 in Review: The Most Popular Blog Posts

Although in the past six weeks this blog has been a semi-personal travel blog, it’s primary focus is still the practical side of stage managing, and that’s obvious when I look at the most popular posts on the site.  Of the 10 most popular, six are practical information for stage managers, two are stage management memes, one is a recipe, and one a personal reflection on a major local issue.

10. Weekend Recipe – Peanut Butter Cup Cookies
Because they are delicious and everyone wants more cookies in their lives.

9. Grieving the Playhouse
I still feel that we have not understood what the loss of the Vancouver Playhouse this past spring will mean for the Vancouver theatre community & industry.

8. Calling the Show: Three C’s to Conquer
My tips on how to call a successful show.

7. Stage Manager Ryan Gosling
Because Ryan Gosling Arts Administrator wasn’t enough, Stage Manager Ryan Gosling was born and I had to tell the world about it!

6. Resources for Stage Manager
Wherein I have compiled online links to articles, forums, and blogs about stage management.

5. Meme Alert
Because the “This is what I really do” meme is amusing to everyone when applied to their own career.

4. “You’ve Got Everything in There” :: The SM Kit
A practical look at what goes into a well stocked stage managers kit.

3. The SM Prompt Script: Show Bible Pt. 2
Continuing my look at how to assemble a prompt script.

2. SMArts: Calling a Show/The Prompt Script
My notes from the 2010 SMArts conference in Vancouver.

1. The SM Prompt Script: Show Bible Pt. 1
I can always tell when a new semester of school has started and the stage management assignments have been handed out because in those first two weeks of the semester, this post gets hundreds of views as new SM’s begin to assemble their first prompt script.

2012 in Review: Shows That Made My Heart Beat Faster

I cannot write a top five or top ten list when it comes to theatre in a year. How do I decide to include such an arbitrary number!? Instead, here are the shows I saw this year that made my heart beat faster, that moved me to action, that left me gasping, that pushed me to keep doing what I do, and that have stuck with me at the end of the year.

In no particular order.

Jonathon Young and Meg Rowe in All the Way Home

Jonathon Young and Meg Rowe in All the Way Home

All The Way Home (Electric Company) website
I had a hard time picking between All The Way Home and Initiation Trilogy, both from the Electric Company, when i was beginning to compile this list. I chose All the Way Home because it was one of those productions where not only was it excellent, but EVERYTHING about it was excellent. The cast, the design, the direction, and the implementation in it’s unique set up on the stage of the QE all worked extraordinarily well. I was moved to tears by this production and in it’s final beautiful moments I sat wanting to bathe in that beauty and not let it leave. Though that transience is part of what made it so special.

Tempting Providence (Theate Newfoundland Labrador at Gateway Theatre) website
I had been hearing one of my mentors sing the praise of this show for at least four years before I finally got my chance to see it live up to all the praise she had heaped on it. It is a play that is beautiful in its simplicity and specificity, with each movement, prop, and set piece carefully chosen to serve multiple purposes, but above all to serve the story. I saw this show shortly after a friend accused me of only liking big shows with spectacle to which I had responded that what I was most interested in was shows that work as a whole and make big choices – something this show did so beautifully. I searched for a photo from the production to include in this post, but the photos I found came no where near capturing the show’s simple beauty, so I decided against including one.

Stationary

Stationary

Stationary (Delinquent Theatre at Neanderthal) website
I had seen this show back when it was Parked! at Bridge Mix in 2011 and was so excited to see a longer version. By the time I was able to attend the show had been running for a few days and the festival was abuzz with delight at the talent of this young company. I was definitely not disappointed – even with high expectations – and have since purchased the soundtrack which I listen to frequently and continue to hope that I will get to see this show again. I saw the lives my friends are living on that stage – bachelors degrees, dead end jobs, and a desire for something more.  I also saw an incredibly talented group of performers who showed themselves to be more than triple threats, adding multiple musical instruments to their repertoire. Is the show perfect? No. Not yet at least. But it is absolutely wonderful and from the look of things, the show is moving forward as a run in April 2013 at Presentation House has already been announced. As Delinquent Theatre says, “Real life is disappointing.  Singing about it definitely takes the edge off.”


The God that Comes (2b Theatre & Hawksley Workman at SummerWorks) website
The night of debauchery that was The God That Comes was one of my favourite nights of the year. Everything about the experience – from the time the door opened – was created to enhance the spectator’s understanding and enjoyment of the evening. I went with my new SummerWorks friends at the last minute, paying for tickets since it wasn’t included in our program and we were so glad we went. We were greeted by attractive young men and women who fed us grapes (or decorated our bodies with grapes) and wine. We drank wine straight out of the bottle as we were encouraged to do as the incredibly talented Hawksley Workman told the story of Bacchus using The Bacchae as the primary source. It was part cabaret, part concert, and wholly theatrical. There is a moment near the end where Workman has a tall staff in one hand that he beats against the floor in time to the music, and as the lights changed with it I think my heart beat shifted to beat in time with the music. It’s playing at Club PuSh in a couple of weeks and I’m terribly upset that I will be unable to see it again. But rumor has it a concept album will be released and I will be buying that as soon as it is.

Rebecca Northan as Mimi

Rebecca Northan as Mimi

Blind Date (Rebecca Northan at the Cultch) website
This was a Blind Date that I returned to four times during its run in Vancouver for the simple reason that it had a great mix of heart and humor. While Mimi the Parisian Clown teased her various dates and pushed them out of their comfort zone, the level of care that Northan offered them during the performance was outstanding. It was also outstandingly funny. After my first night in attendance my face hurt from smiling and laughing so hard – an experience that I rarely have at the theatre.  Northan is an expert improvisor who carefully shapes the path she wants the evening to take, guiding the men with an almost invisible hand until you return a few times and see the small ways in which she is able to guide the story to its intended conclusion.

Matilda the Musical (RSC @ Westend London) website
This was perhaps the show that I was most looking forward to this year. I have been a fan of the source material – Roald Dahl’s Matilda – since I was an eight year old bookworm. I was not a fan of the film version, but found that the play had the same heart as the book while adapting itself enough to make for a great musical. I knew all the songs going in, but found the staging to be breathtaking and ever so imaginative – which it had to be since the imagination as at the heart of the book. The cast were really outstanding and I found myself grinning for the rest of the night. Indeed, I find myself grinning as I sit here writing about how much I enjoyed the show.

I also want to mention the following shows that stuck out to me during the year:

Red (Vancouver Playhouse/CanStage), Hunchback (Catalyst Theatre presented by The Cultch & Vancouver Playhouse), Craigslist Cantata (Arts Club/PuSh Festival), Goodness (Volcano Theatre at Firehall Arts Centre), King Lear (Honest Fishmongers Equity Co-op), The Exquisite Hour (Relephant Theatre at the Arts Club), Mary Poppins (Broadway Across Canada), God is a Scottish Drag Queen (Delcon Entertainment at Neanderthal Arts Festival & Vancouver Fringe), When it Rains (2b Theatre at SummerWorks), Bookworm (Corin Raymond at the Vancouver Fringe), Twelfth Night (Shakespeare’s Globe), and La Cenerentola  (National Opera of Paris).

obstructions-logoFinally, the theatrical endeavour which has been the most rewarding, encouraging, and mind-bending for me in 2012 has been the Obstructions series. For those of you unfamiliar, the companies who make up Progress Lab (Boca del LupoElectric Company TheatreFelix CulpaLeaky Heaven CircusNeworld TheatreThe Only AnimalPi TheatreRadix TheatreRumble ProductionsTheatre Conspiracy, and Theatre Replacement) have been challenging each other to up their game and re-examine their company aesthetics by testing the idea that creativity feeds on limits. Inspired in part by The Five Obstructions by Jørgen Leth and Lars Von Trier, the core artists of each participating company  submit, a few at a time and under a cold spotlight, to a list of obstructions delivered by a shadowy emcee. The companies are then commanded to create their next production around those limitations. The obstructions for each company are developed in secret by their peers – a custom-designed set of obstacles that will prompt each artist to adapt to a new approach to making theatre. Their individual tendencies toward form, place, style, theme, design, period, story are exposed and obstructed, spilling the artist’s bag of tricks all over the stage and out of reach.

The performances that have been spawned by the challenges which take place approximately once a month are a huge highlight for me, as the theatre community gathers together with our patrons and pushes what we are capable of while creating some beautiful theatre. I missed the Pi Theatre and Theatre Conspiracy performances while I was in Europe, but attended the Boca del Lupo, Felix Culpa, and Radix Theatre performances. This series continues into 2013 and I can’t wait to catch more of the performances when I am in town. Because a show done on a set built entirely of carrots likely never would have happened without a challenge like this.

2012 in Review: Shows I Saw

For the last four years I’ve been keeping track of what I see, and each year the number has been growing. This year I saw a staggering 174 different productions (some of them more than once) spanning the performance art disciplines in 10 cities and five countries. I saw a high school production and a West End Musical. I went to the Vancouver Fringe and the Paris National Opera. I saw magicians, musicals, and modern dance; ballet, busking, and butoh; Shakespeare, site-specific, and SummerWorks.

As with every year there are shows I regret missing, but there are way less this year. There were things I wanted to see in London that I didn’t make it to. I couldn’t see every show at PuSh. I missed Terminus at SummerWorks.But overall, I saw more great theatre this year. Of course, I also walked out of two shows this year (something I rarely do) and wanted to walk out of at least three others that I couldn’t walk out of due to political reasons or logistics.

Here they are, the 174 shows I saw in 2012 in something close to chronological order:

  1. Waiting for Godot (Blackbird Theatre at the Cultch)
  2. Never Swim Alone (TWU)
  3. All The Way Home (Electric Company)
  4. Red (Vancouver Playhouse)
  5. The Idiot (Neworld/UBC at PuSh)
  6. Amarillo (Teatro Linea de Sombra at PuSh)
  7. Glory Days (The Boys Upstairs Equity Co-op)
  8. Hot Pepper, Air Conditioner (Chelfitsch Theater at PuSh)
  9. Gunmetal Blues (Playhouse)
  10. El Pasado un animal grotesco (Grupo Marea at PuSh)
  11. Craigslist Cantata (Arts Club Theatre at PuSh)
  12. Almighty Voice and his Wife (Native Earth Performing Arts/Touchstone Theatre at PuSh)
  13. Calendar Girls (Arts Club)
  14. No. 2 (Silo Theatre at PuSh)
  15. Danny and the Deep Blue Sea (Pacific Theatre)
  16. Bride on Credit (TWU)
  17. Tempting Providence (Gateway Theatre)
  18. Problem Child & The End of Civilization (Theatre at UBC)
  19. I Love You Because (Intimate Productions)
  20. Intimate Apparel (Arts Club Theatre)
  21. The Silicone Diaries (Nina Arsenault at The Cultch)
  22. Hunchback (Catalyst Theatre at The Vancouver Playhouse)
  23. All Shook Up (Chemainus Theatre Festival & Gateway Co-pro)
  24. Ignorance (Old Trout Puppet WorkShop at The Cultch)
  25. Doubt (Pacific Theatre)
  26. Goodness (Volcano theatre at the Firehall)
  27. King Lear (Honest Fishmongers)
  28. Kismet 1 to 100 (The Chop at Gateway)
  29. A Vessel of Ruins (Taketeru Kudo – Tokyo)
  30. Barber of Seville (Vancouver Opera)
  31. Importance of Being Earnest (Arts Club)
  32. Importance of Being Earnest (Gallery 7)
  33. Flop (Delinquent Theatre)
  34. Snooker (Camillo the Magician)
  35. Fresco (BellaLuna Productions)
  36. The Bombitty of Errors (20-Something)
  37. Scar Tissue (Arts Club)
  38. Henry & Alice: Into the Wild (Arts Club)
  39. EndGame (Main Street Theatre)
  40. A Last Resort (Rough House Productions)
  41. Trial by Jury (VSO & Vancouver Opera Ensemble)
  42. Aida (Vancouver Opera)
  43. The Exquisite Hour (Relephant Theatre)
  44. 100 Saints You Should Know (Pacific Theatre)
  45. Blue Box (Neworld Theatre)
  46. Bliss (Ballet BC)
  47. High Society (Arts Club)
  48. Godspell (Christ Church Cathedral)
  49. Obstructions – Boca Del Lupo
  50. Shelter from the Storm (Touchstone/Firehall)
  51. Fantasticks (Gallery 7)
  52. MacBeth (Bard on the Beach)
  53. Wolf at the Door (Pacific Theatre)
  54. Not Everything You Are (Stones Throw)
  55. Obstructions – Felix Culpa
  56. UnBoxed (Scarlet Satin)
  57. Reasons to be Pretty (Matchbox Theatre)
  58. The Alchemist
  59. Xanadu (Arts Club)
  60. Titanic (TUTS)
  61. The Music Man (TUTS)
  62. King John (Bard on the Beach)
  63. Merry Wives of Windsor (Bard on the Beach)
  64. Alter Boyz (Arts Club)
  65. Armed (Xua Xua)
  66. Mary Poppins (Broadway Across Canada)
  67. Stationary (Delinquent Theatre at Neanderthal)
  68. Coercion (Hardline at Neanderthal)
  69. God is a Scottish Drag Queen (Delcon Entertainment.at Neanderthal)
  70. The List (Bouchewhacked! at Neanderthal)
  71. Tyumen, Then (Groundwater Productions at Neanderthal)
  72. House of X (Wild Excursions at Neanderthal)
  73. The Taming of the Shrew (Bard on the Beach)
  74. Obstructions – Beautiful Karrats (Radix)
  75. Sunday Service (Neanderthal)
  76. Exhibit A (411 Dramaturgy at Neanderthal)
  77. The Marraige of Figaro (Summer Opera Lyric Theatre)
  78. My Pregnant Brother (Freestanding Productions at SummerWorks)
  79. France or the Niquab (Old Pirate at SummerWorks)
  80. Haunted (The Haunted Group at SummerWorks)
  81. Artaud: un Portrait en Decomposition (TheatreRUN at SummerWorks))
  82. Medicine Boy (Native Earth at SummerWorks)
  83. Purge (Brian Lobel at SummerWorks)
  84. One/Un (Orange Noyée at SummerWorks)
  85. The God that Comes (2b Theatre at SummerWorks)
  86. When it Rains (2b Theatre at SummerWorks)
  87. Petrichor (Kitchenband at SummerWorks)
  88. Barrel Crank (Suitcase in Point at SummerWorks)
  89. Extinction Song (Voodoo Theatre at SummerWorks)
  90. Dutchman (lemonTree Creations)
  91. Wondermart (Rotozaza at SummerWorks)
  92. Marine Life (Theatre Crisis and Aluna Theatre at SummerWorks)
  93. Captain Ron’s Ship of Friendship/Atomic Vaudeville Cabaret (Atomic Vaudeville at SummerWorks)
  94. The Frenzy of Queen Maeve  (Live Lobster Theatre at SummerWorks)
  95. Breath in Between (Breath Collective in Association with Crow’s Theatre at SummerWorks)
  96. 40 Days and 40 Nights (Nina Arsenault at Summerworks)
  97. Your Side, My Side and the Truth (Compass and Trying Science Co-Production at SummerWorks)
  98. Peachy Coochy (Summerworks)
  99. We Will WeeTube (An Experiment with Theatre Replacement’s WeeTube at SummerWorks)
  100. Iceland (The Iceland Collective at Summerworks)
  101. Speed the Plow (SoulPepper)
  102. Motor Vehicle Sundown (Andy Field at SummerWorks)
  103. Midsummer Night’s Dream (CanStage)
  104. Mojo (ItsaZoo)
  105. Eurosmash! (Die Rotten Punkte at The Cultch)
  106. My Marvellous Melcher Machine (James Melcher)
  107. Pirates? (Quimera Collective)
  108. Just Bust a Move (Nathaniel Roy)
  109. Home Free (Staircase XI)
  110. Riverview High: The Musical (Entrance Theatre)
  111. In the Time of the Dream Warrior (Golgonooza)
  112. The 1812 Event (Just Push Play)
  113. Romance (Queer Arts Society)
  114. Adult Entertainment (Squidamisu Theatre)
  115. ReLapse (And the Other Leg)
  116. Miss Cosmos (Bright Young Theatre)
  117. Felony (Dreams Beyond 30)
  118. First Day Back (10 Foot Pole)
  119. Alpha (Compassionate Bone)
  120. Three More Sleepless Nights (o.o.o.o.)
  121. Weaksauce (Sam Mullins)
  122. You Are Here (Allentina Francesca)
  123. Hip Hop Shakespeare Live Music Videos (411 Dramaturgy)
  124. Tales Told by Idiots (Not The Mermaid)
  125. Lost in Twine (Looking for 143 Productions)
  126. Underbelly (Jayson MacDonald)
  127. Zanna, Don’t (Awkward Stage)
  128. Psychopomp (Psyche Theatre)
  129. Smudge (Two Wrongs That Write)
  130. God is a Scottish Drag Queen (Delcon Entertainment)
  131. Peter ‘n’ Chris Explore Their Bodies (Peter ‘n’ Chris)
  132. Loon (Wonderheads)
  133. Gadfly (Theatre of the Beat)
  134. Guernica (Hidden Harlequin Theatre)
  135. Fishbowl (Mark Shyzer)
  136. How to Love (Idea Factory Entertainment)
  137. Welcome to my Wake (INC – Ingrid Nilson Collective)
  138. Little Lady (Sandrine Lanford)
  139. The Histories AKA Will Shakespeare’s ImproMusical (GrinkeInk)
  140. Riot (Carson Graham Secondary)
  141. The Missing Piece (Theresa Hamilton)
  142. The Best, Man (Urban Rogues)
  143. Risk Everything (Squidamisu Theatre)
  144. No Tweed to Tight (Ryan Gladstone)
  145. Vincent (Spitfire Productions)
  146. Bookworm (Corin Raymond)
  147. Blind Date (Rebecca Northan at the Cultch)
  148. Post Secret: The Play (TJ Dawe, Kahlil Ashanti & Frank Warren)
  149. The Spitfire Grill (Midnight Theatre Collective at Pacific Theatre)
  150. Capslock: The Musical (Pipedream Productions)
  151. Master Class (Arts Club)
  152. White Rabbit, Red Rabbit (Elbow Theatre at The Cultch)
  153. A Beautiful View (Ruby Slippers)
  154. Zombie Syndrome (Virtual Stage)
  155. The Unplugging (Arts Club)
  156. Initiation Trilogy (Electric Company/Boca del Lupo/Writers Fest)
  157. Debts (ItsaZoo)
  158. La Boheme (Vancouver Opera)
  159. Dancing at Lughnassa (Capilano University)
  160. Chelsea Hotel (Firehall)
  161. Cozy Catastrophe (theatre Melee with Rumble and the Cultch)
  162. Gold Mountain (Les Deux Mondes & unity theatre at The Cultch)
  163. Dickens’ Women (Miriam Margoyles at The Cultch)
  164. Go Back for Murder (SAMC Theatre @TWU)
  165. Tomb with a View (Genus/Up in the Air)
  166. Far Side of the Moon (Ex Machina @ SFU)
  167. Matilda the Musical (Royal Shakespeare Company in the Westend)
  168. Twelfth Night (The Globe)
  169. NSFW (Royal Court)
  170. The Effect (National Theatre)
  171. Die Entführung aus dem Serail (Zurich Opera House)
  172. Jultrad-i-tion (Gotenburg Opera)
  173. Don Quixote (Ballet of the National Opera of Paris)
  174. Le Retour (Odeon Theatre of Europe)
  175. La Cenerentola (National Opera of Paris)

2011 in Review: 10 Most Popular Blog Posts

Here they are, in order of number of page views in 2011:

10. How to Survive Tech Week in 5 Small Steps

9. When I Grow Up I Want to be Backstage

8. Calling the Show: 3 C’s to Conquer!

7. Weekend Recipe: S’mores Cupcakes

6. Weekend Recipe: Peanut Butter Cup Cookies

5. Resources for Stage Managers

4. “You’ve Got Everything In There!” :: The SM Kit

3. SMArts: Calling A Show/The Prompt Script

2. The SM Prompt Book: Show Bible Pt. 2

1. The SM Prompt Book: Show Bible Pt. 1

2011 in Review: Theatrical Excellence

I’m not a critic or reviewer.  That has never been my goal in writing this blog. If you’re looking for some of the critics 2011 lists, I’ve found the one for The Georgia Straight, The Globe and Mail, Gay Vancouver and The Vancouver Courier.

Each year I wonder how to recognize the truly excellent work I see each year. I’ve tried a top ten list (2009). I’ve tried a top six list (2010). Neither felt quite right for what I wanted to say. So now I try again. Another year. Another format. Let’s see if I can’t take some inspiration for the annual “Best of Vancouver” and make my own “Best of Vancouver Theatre” list.

The cast of Ride the Cyclone. Photo from the official Ride the Cyclone blog

Best Show that Everyone Agrees is the BestRide the Cyclone (Atomic Vaudeville)
I am a stingy standing ovation giver, but this show had me on my feet before the curtain call lights even came up. Why is this little show from Victoria topping critics list across the country? Biting humor. Vivid characters. Song and dance numbers so varied in tone/style/content that you never know where you’ll be next. The best “turn your cell phones off” speech ever. EVER. A cast that takes the quirky and makes it both heart-breaking and hilarious, all the while singing and dancing. The show uses low-tech/budget tricks to great result and the indie feel is definitely part of its charm. I went into this show having been told that it was fantastic, but I remember saying to myself, “Okay.  Now you know it might not be everything you’ve been told it is.  Let go of your expectations.”  And the best part was that it exceeded every one of those expectations.

The Best “Theatrical Experience” - La Marea (Boca del Lupo with Mariano Pensotti for the PuSh Festival)
Walking into the zero-block of water street for that week in January was like nothing else I have experienced in going to the theatre. Both ends of the busy street closed down. People everywhere. Giant flood lights light the street and then like the flip of a breaker the flood lights go out and music begins, theatre lights pop on to unexpected places, and projected surtitles appear. Each of the nine scenes were only 10 minutes long, but you had to walk the whole block to see them, and depending which end of the street you started at you had a different experience.  I’m sure it was a logistical challenge (kudos to the stage management/production management team for pulling it off!) but the effect was so stunning I went back down to the block two more nights just to watch people interact with the piece. My favourite thing was seeing people who had no idea that their favourite restaurant’s patio was now playing home to a play and that by eating there they had inadvertently become extras. Or people who just happened to be out walking in the Gastown neighbourhood asking a volunteer what exactly was going on and deciding to stay and see what all the fuss was. Most of the nights the block was wall-to-wall people and when it threatened to rain they were ready – volunteers were standing by handing out branded umbrellas. Free. Outdoors. Huge. La Marea redefined the possibilities for me.

Honorable Mention – Party This Weekend (The House Party Collective) – Was it a show or a house party? It was really a bit of both. With four intertwining story lines, a house and its yard for the set, and lots of audience interaction it was a fantastic experience!

Circa. Image provided.

Best Show I Still Can’t Categorize - Circa (Circa at PuSh Festival)
This wasn’t my first time seeing Circa perform as a part of the PuSh festival, but as always they defy being easily labelled.  The Australian company defines themselves as “circus that moves the heart and soul” but their performance lends itself to comparisons to both theatre and dance.  No matter what you call it though,  it elicited an audible response from myself and from others in the audience as the performers flung themselves through the air at each other or moved a single muscle so specifically that it could be noticed from the back of the theatre. It was an absolutely stunning night.

Honorable Mention – Dress Me Up In Your Love – Theatre Replacement – Part story-telling, part fashion show, part music, I found this show at times hilarious, at times moving and I never need to see Andrew McNee in a tight dress again.

The Best Piece of Dance for Sitting on the Edge of Your Seat - Emergence (Crystal Pite for the National Ballet of Canada’s 60th Anniversary Tour)
My dance knowledge is really very limited, but I take whatever opportunity I can to attend dance. Crystal Pite’s Emergence, the final of four pieces on the National Ballet of Canada’s 60th Anniversary Tour had me on the edge of my seat the moment it started. Intricate. Precise. Stunning. It was one of those pieces where I didn’t want to blink because I was afraid that I would miss something amazing.

Honorable Mention – Moth (Donald Sales for Ballet BC‘s 25th Anniversary) – A bare bulb dangling on stage. Sign Language and Silent Screams. This ballet exploration of grief was breath-taking.

Ingrid Hansen acting with Celery. Photo by Al Smith.

Best of the Fringe Fest - Little Orange Man (Snafu Dance Theatre)
The Fringe is a funny festival in the sense that it really is a free for all.  Anyone can do a show. You can end up seeing ANYTHING on stage. But when Ingrid walked on stage and began using a piece of bread to tell us a story, I wasn’t prepared for how touching this show would be.  Yes, it had celery sticks as characters and involved Ingrid climbing out of a giant suitcase.  It had some of the funnest low-tech magic that I’ve seen on stage in a while, and its not every day that you watch an audience hold tiny shoes in the air and conjure up small children.  The show left me feeling wistful for childhood and delighted to see what Ingrid will think up next.

Honorable Mention – Peter ‘n’ Chris and the Mystery of the Hungry Heart Hotel (Peter ‘n’ Chris) – C’mon….they have flashy jackets, can do a slow motion car crash, and are funny.  What more do you need from your Fringe experience?

Best Show for An Audience of 15 or Less - Tape (Alley Theatre)
Crammed into a small room at the Waldorf Hotel with 11 other audience members plus this cast of three, being in the room as they fought was an exhilarating experience.  It’s what site-specific theatre does when at it’s best – puts you right there with the characters, knowing that there is no other place in which this story would have as much impact.

Honorable Mention – Whale – Kyle Jespersen – In the intimate Anderson Street Space, writer and performer Kyle Jespersen took us door-to-door selling Bibles and waiting for a sign.  I believe it was a show in progress and the note I wrote to myself that night after the show was “I can’t wait to see what this turns into.”

Rumble Productions' Community Dinner. Photo provided.

Best ReInvention of Genre - Community Dinner (Rumble Productions with Boca del LupoElectric Company TheatreNeworld Theatre & MOSAIC)
This was not like any “dinner theatre” you have ever been to before, I would guarantee it. The four companies who share the Progress Lab space teamed up with MOSAIC – an organization that seeks to empower recent immigrants – and for three months prior to the show teams comprised of professional actors and newcomers to Canada met up, learned how to prepare various ethnic recipes, and created a short piece of theatre connected to the recipe.  Each of the four pieces was as diverse as the companies they came from, and at the end of the night the cast and audience sat down to a meal of the food that had been prepared in front of them.

Honorable Mention – Visions of Vancouver – Pi Theatre - Performed for a live audience these radio plays were also recorded for FREE release as podcasts. With a simple staging and at times with script in hand, these four actors performed in a way that worked live and that works in an audio-only medium.

Best Show to Make Me Want New Toys - Wicked (Broadway Across Canada)
I don’t know how, as a person who cares about the technical side of theatre at all, it is possible to see a show like Wicked and NOT want to play with all their toys. The choreography of the set pieces alone was stunning and the costumes were so intricate. The sheer calibre and artistry of all involved made it such a visual feast to go along with such a well loved musical. The whole experience was so lovely.  I enjoy seeing the big broadway shows when they come to town, but this one topped many of them for being so on the ball technically.

Honorable Mention – Penny Plain – Ronnie Burkett at the Cultch – With 24 custom made marionnettes, I don’t think you can see one of Ronnie’s shows and not want to play with them, or at the very least examine the intricate strings that allow the performer to make even a pinky finger move.

Best Show to Give Multiple Standing Ovations – Jesus Hopped the ‘A’ Train (Glass City Theatre)
As someone who rarely gives a standing ovation, it is even more rare for me to do so more than once for the same production.  Jesus Hopped the ‘A’ Train got two or three from me during its three week run. It was a heart-breaking ride that moved me over and over again as I saw it and that continues to challenge my opinions.

 

Other Year In Review Posts:
Hard Work
What I Saw 

 

2011 in Review: Hard Work

I am so blessed to make a living doing what I love with fantastic people all around me. 2011 was no exception.  I worked hard, and the hard work paid off. It was a year full of highlights, especially the world premiere of Horseshoes & Hand Grenades’ Re:Union by Sean Devine.  It was the most challenging piece I have ever worked on in pretty much every way: technically, thematically, and working in a time crunch. But we did it. And we did it without compromising the artistic vision that made the show what it was. The video below gives a small hint at what we pulled off, magically, in 2.5 weeks of rehearsal.

If the video doesn’t display properly, please click here to watch it on vimeo.

In chronological order my year was as follows:

1. Stage Manager - The Pillowman - Wild Geese Equity Co-op

Ashley O'Connell, Mike Wasko & Aaron Hursh in The Pillowman. Photo by Michael Sider

2. Sound Technician - Jesus Hopped the ‘A’ Train - Glass City Theatre

Rob Olguin as Angel Cruz. Photo by Itai Erdal.

 

3. BYOV Coordinator & Onsite Facilitator – Vancouver International Fringe Festival

Photoshoot for Melissa Aston's Duck Off as part of the Onsite program. Photo by Lois Dawson.

4. Box Office Manager – Prodigals - 20-Something Theatre

Brandyn Eddy, Timothy Johnston & Jameson Parker in Prodigals. Image provided.

5. Sound Designer – The Verona Project - Stones Throw Productions

Susie Coodin as Juliet and Maryanne Renzetti as the Nurse. Photo provided.

 

6. Stage Manager – Homegrown - A staged reading in support of SummerWorks

If the video doesn’t work, you can watch it HERE.

7. Stage Manager – ReUnion - Horseshoes and Hand Grenades & Pacific Theatre

Evan Frayne in ReUnion. Photo by Emily Cooper.

8. Stage Manager – After Jerusalem – Solo Collective

Andrew McNee and Deb Williams in After Jerusalem. Photo by Itai Erdal.

 
For additional Year in Review posts see:
Shows I Saw.

2011 in Review: Shows I Saw

Last year when I wrote about all the shows I had seen, I set forth a two part goal.  I wanted to achieve balance in my hobbies and I wanted to end the year with no regrets in regards to my theatre viewing.

Now here we are at the end of the year and even though I saw more shows than ever I’d say I did do better in finding balance.  Part of the reason that makes sense is that instead of stage managing all year I spent 5 months working for the Vancouver Fringe.  For the most part it was a day job which left my evenings free to see some awesome theatre.

But I do have a handful of shows that I regret not seeing.  I missed the work of the guys at Main Street Theatre for the second year in a row.  I missed Death of a Salesman at the Playhouse. I didn’t go see Ride the Cyclone more than once. I didn’t see Wonderheads during the Fringe (but lucky for me they won an award and will be at the Cultch next year!). I missed Wicked Shorts. 

For the first time in a couple of years, my list is entirely West Coast – I didn’t make it out to Edmonton or Toronto this year, which I regret, but I’m looking forward to more travel in the coming year – including my first ever trip to Europe!

Here they are – the 155 performances I attended in 2011, in something close to chronological order.

La Marea at the PuSh Festival. Photo by Flickr user jmv

  1. Wee Tube (Theatre Replacement)
  2. La Marea (Boca Del Lupo/PuSh Festival/Mariano Pensotti)
  3. The Pavillion (Osimous Theatre/Firehall Theatre)
  4. Iqualit (Berlin/PuSh Festival)
  5. Circa (Circa/UBC/PuSh Festival)
  6. 100% Vancouver (PuSh Festival/Rimini Protokoll/Theatre Replacement)
  7. Tuesdays With Morrie (Gallery 7 Theatre)
  8. Dead Man’s Cell Phone (UBC)
  9. Floating (Hugh Hughes/Arts Club/PuSh Festival)
  10. Bonanza (Berlin/PuSh Festival)
  11. Whale (Boca del Lupo/Kyle Jesperson)
  12. Gloria’s Cause (Club PuSh/Donya Hansen)
  13. City of Dreams (Roundhouse/PuSh Festival/Peter Reder)
  14. My Name is Asher Lev (Pacific Theatre)
  15. Hard Core Logo: Live (November Theatre/Touchstone Theatre/Theatre Network/PuSh Festival)
  16. Avenue Q (Touring Broadway Production)
  17. August: Osage County (Arts Club)
  18. Peter Panties (The Cultch/PuSh Festival/Leaky Heaven/Neworld)
  19. Clemenzia di Tito (Vancouver Opera)
  20. Who’s Afraid of Virginia Woolf? (Blackbird/Arts Club)
  21. Nocturne (20 Something Theatre)
  22. The Lieutenant of Inishmore (Fighting Chance Productions)
  23. Swimmy, Frederick & Inch by Inch (Mermaid Theatre of Nova Scotia)
  24. Jesus Hopped the ‘A’ Train (Glass City Theatre)
  25. Quiet in the Land (Gallery 7)
  26. Cinderella (Vancouver Opera in Schools)
  27. Wild Honey (UBC)
  28. Cinderella (Exit 22 at Capilano University)
  29. Chairs (Itsazoo)
  30. The Philanderer (Arts Club)
  31. 1984 (Virtual Stage/Studio 58 at the Cultch)
  32. Evelyn Strange (StairCaseXI)
  33. The Last 15 Seconds (MT Space Theatre/Firehall Arts Centre)

    The Last 15 Seconds at the Firehall. Photo from http://bikesbirdsnbeasts.blogspot.com/

  34. Under The Influence Cabaret (20 Something)
  35. The Bacche (TWU)
  36. Another Home Invasion (Arts Club/Tarragon)
  37. Jake’s Gift (PT/Juno Productions)
  38. The Forbidden Phoenix (Gateway Theatre)
  39. Rosmershom (United Players)
  40. Letters from a Soldier; My Name is Aslam (Stones Throw Productions)
  41. The Trespassers (Vancouver Playhouse/Belfry)
  42. Ballet BC’s 25th Anniversary (Ballet BC)
  43. Scared Scriptless (Vancouver Theatresports League)
  44. Dress Me Up In Your Love (Theatre Replacement)
  45. The Graduate (Arts Club)
  46. The Wiz (Fighting Chance)
  47. My Funny Valentine (Zee Zee Theatre)
  48. Tape (Alley Theatre)
  49. Side Show (Pacific Theatre)
  50. Mambo Italiano (Firehall/WCT)
  51. Prodigals (20-Something Theatre)
  52. Love/Stories (Kineticism)
  53. Beautiful Problems (Radix Theatre)
  54. The Great Divorce (Pacific Theatre)

    Pacific Theatre's "The Great Divorce" Photo provided.

  55. Eurydice (Secretly Women)
  56. Macbeth: Nacht Shakespeare (Theatre Conspiracy)
  57. Hairspray (Arts Club theatre)
  58. What we leave behind (Lamondance)
  59. Community Dinner (Rumble Productions)
  60. Wicked (Broadway Across Canada)
  61. A guide to Mourning (Genus/Enlightenment Theatre)
  62. Merchant of Venice (Bard)
  63. A Closer Walk with Patsy Cline (Arts Club)
  64. BridgeMix (Itsazoo)
  65. Matchmaker (Gallery 7)
  66. Verona Project (Stones Throw)
  67. Bash: Latter Day Plays (Hardlines Theatre)
  68. Bye Bye Birdie (TUTS Vancouver)
  69. The Casino/The Disappearing (Stones Throw)
  70. Party This Weekend (The House Party Collective)
  71. Project X (Faust) (Leaky Heaven Circus)
  72. Other Side Through You (Cat Main)
  73. Visitors (Walking Fish 2011)
  74. At First I Thought It Was (Walking Fish 2011)
  75. Armed  (Walking Fish 2011)
  76. The Gas Heart (Gas heart Theatre)
  77. Homecoming King
  78. Chairs  (Itsazoo) (The revised version)
  79. My Pregnant Brother (Freestanding Productins)
  80. Compassion for Killers (Whirlwind Productions)
  81. Anything Goes (TUTS Vancouver)

    Anything Goes at TUTS. Photo credit unknown.

  82. Troika and The Troubles (Some of the New Bees/Resounding Scream)
  83. Flop! A one man musical (New Hands Theatre)
  84. Bare: a pop opera (Fighting Chance)
  85. When I Was (Les Petite Taquines)
  86. Richard III (Bard on the Beach)
  87. Kunst Rock (Die Roten Punkte/The Cultch)
  88. Sea of Sand (The Only Animal)
  89. As You Like It (Bard on the Beach)
  90. Cativo (Hardline Productions)
  91. Tough (20-Something Theatre)
  92. The Selkie Wife
  93. Trouble in Tahiti (VanCoCo)
  94. Archy & Mehitable
  95. Yum/Yuck
  96. Oh That Wily Snake!
  97. Jigsaw
  98. The Sparrow and the Mouse
  99. Phone Whore
  100. Screaming Silently
  101. wreckage

    Nita Bowerman's Fringe show "wreckage". Photo by Brendan Albano.

  102. This is Cancer
  103. Jesus In Montana
  104. Short & Sweet
  105. The Progressive Polygamists
  106. The Animal Show
  107. Rove
  108. Stay Away from my Boat, @$$hole (ItsaZoo/Vancouver Fringe)
  109. The Razzle Tassel Tease Show
  110. Lost in Place
  111. Duck Off
  112. Fruitcake
  113. The Mystery of the Hungry Heart Hotel (Peter ‘n’ Chris/Vancouver Fringe)
  114. Smile (Awkward Stage Productions/Vancouver Fringe)
  115. Tinfoil Dinosaur
  116. The Other Side
  117. Houdini’s Last Escape (Monster Theatre/Vancouver Fringe)
  118. Night of the B Movie
  119. The Devil & Billy Markham
  120. Giant Invisible Robot
  121. Sally Lives Here
  122. Mr. Kinski’s Cabaret of Bullshit (Vancouver Fringe)
  123. Acrobatic Daredevils

    The Acrobatic Daredevils at the Fringe. Photo by flickr user arianec

  124. Oh My God (Delinquent Theatre/Vancouver Fringe)
  125. Fortunate Son
  126. Willow’s Walk: Ripples in Time
  127. Arnie the Carnie’s House of Fun
  128. Next To Normal (Arts Club Theatre)
  129. Tuesdays with Morrie (Gallery 7 at Pacific Theatre) (The Remount)
  130. National Ballet of Canada’s 60th Anniversary Tour (National Ballet/Ballet BC)
  131. Little Orange Man (Snafu Dance Theatre/Vancouver Fringe)
  132. The Light in the Piazza (Patrick Street Productions)
  133. Circle Mirror Transformation (Arts Club Theatre)
  134. Ride the Cyclone (Atomic Vaudville)
  135. True Love Lies (Touchstone Theatre at the Cultch)
  136. A Funny Thing Happened on the way to the Forum (Fighting Chance Productions)
  137. Visions of Vancouver (Pi Theatre)
  138. Love Lies Bleeding (Alberta Ballet)
  139. West Side Story (Vancouver Opera)
  140. Romeo and Juliet (TWU)
  141. 50 Words (Mitch & Murray  Equity Coop)
  142.  Falling in Time (Screaming Weenie)
  143. Vimy (Firehall Arts Centre)
  144. The Outsiders (Gallery 7 Theatre)
  145. Penny Plain (Ronnie Burkett)
  146. Mary’s Wedding (Gateway)
  147. Blood Brothers (Arts Club)
  148. The Patron Saint of Stanley Park (Arts Club Theatre)
  149. A Christmas Carol (Pacific Theatre)
  150. La Cage aux Folles (Playhouse Theatre)

    The wonderful Greg Armstrong Morris in La Cage aux Folles. Photo provided.

  151. Hotel Bethlehem (Ruby Slippers Theatre)
  152. Sound of Music (Gateway Theatre)
  153. Christmas Carol Project (Brass Monkey Productions at the Cultch)
  154. The Gift Horse (Caravan Farm Theatre)
  155. Christmas Presence (Pacific Theatre)

I am already excited about what is to come in 2012.  My first booking of the year is for Blackbird Theatre’s Waiting for Godot.