2013 was a big year for me on the work front. It was also the first year that I had multiple confirmed projects (3!) get cancelled with only a few months notice. This certainly changed my year from going as I thought, but it also opened the door to some new opportunities.
I rang in 2013 with Atomic Vaudeville as I prepped to head out on the national tour of Ride The Cyclone. I can honestly say that I had no idea what I had gotten myself into when I signed up to stage manage that show, but it led to an amazing four months that took me to Victoria, Calgary, Vancouver, Edmonton, Toronto (on hiatus), Winnipeg, Vernon (on hiatus), Saskatoon & Nanaimo. There are people from that tour that I miss on a daily basis.
That tour (with the help of my parents) also afforded me the opportunity to buy a condo. So when the tour ended at the end of April, I took possession of my lovely new home. I spent a week doing all the renos: new fixtures, new paint, tile on the kitchen walls, and so on and then celebrated my 27th birthday with a big ol’ party in my new home.
May ended with a trip over to Robert’s Creek on the Sunshine coast to work with The Only Animal for their part of the Obstructions series: Stupid Is As Stupid Does. My role on that show became unique from all other Stage Management I’ve done when I was asked to create a three-tiered wedding cake covered in red, white and blue roses that would be cut up with a chainsaw before being eaten. But it was a creative challenge I was excited about and I spent my evenings after rehearsal baking cakes. Our rehearsal of the cake cutting (with a practice cake) yielded hilarious results, including me covered in cake crumbs from head to toe. There may be some video of that kicking around, but sadly I do not have any of it.
Once that show was over, I jumped head first into working with the Vancouver Board of Parks & Rec on the annual Arts, Health & Seniors Gala that I’ve been coordinating for the past couple of years at the Roundhouse. This year the performances included a choir, puppets, and lots of video projects. But the funnest part of the event is always helping to serve the luncheon – especially the dessert. Everyone in the room gets so excited about dessert!
Summer was a time where two projects fell through. The way I looked at my remaining options was this: “I can stay in Vancouver and make no money sitting on my ass while my friends all work, or I can make no money going to Toronto and working my ass off with my friends and with other new connections.” For me this was a no brainer, so I jumped on an airplane and made a temporary move to Toronto. Temporary contracts with Toronto Pride and Fringe Toronto got me off to a great start and opened the doors to all sorts of opportunities to both make friends and see shows.
And then the work started in earnest with two shows at SummerWorks Eating Pomegranates Naked and Paradises Lost. The first was the project that took me to Toronto in the first place, and the second was a glorious surprise that I didn’t expect, but I so enjoyed another opportunity to work on opera. I was frequently rehearsing seven days a week, but it was a blast. On my days away from rehearsals I was adventuring around Ontario to see friends but also associate producing Aim for the Tangent’s Mature Young Adults. In fact, I attended a rehearsal of MYA with suitcase in hand on my way to the airport to fly back to Vancouver.
12 hours after arriving in Vancouver I was on my way back out-of-town – on a ferry headed for the Sunshine Coast. I joined up with Deer Crossing The Art Farm to be the circus manager for the 2013 edition of the Rainforest Circus: Circus of Chance. That show was probably the most exercise I’ve ever gotten on a show, running through the rainforest from station to station.
Then it was a ferry back to Vancouver and straight to a production meeting and my first day of prep for Rumble Theatre’s Penelope. That show was a fantastic experience and truly disgusting – mostly because of the amount of junk food we went through every night. It also had a flaming BBQ. Which was fantastic when it worked (though sadly it didn’t always work – especially in week 2).
Next came NYET with Zee Zee Theatre and artists from across the country standing up and having a conversation about Russia’s anti-gay legislation. Such a fantastic night with an amazing group of artists.
Of course, NYET happened while I was in rehearsal for Sean Devine’s latest, Except In The Unlikely Event of War with Pi Theatre & Horseshoes & Hand Grenades Theatre. Pretty sure it’s the first time I’ve had actual lines in a play and also the first time that I’ve had an audience cheer for me at the end of the show. Thankfully I didn’t have to memorize my lines as I could read them from my prompt script every night. And every night I cursed Sean just a little bit for writing me into the play.
After such a busy year, I intentionally took December off to rest and regain some balance. A trip to see family for the holidays and celebrating Christmas with a Doctor Who topped Christmas tree were just a part of it.
Which brings us to today. Today was supposed to be my first day on my next gig, but it was one of the ones that got cancelled this year. Instead, I’m writing this blog, reflecting on the year that has been, and looking forward to what lies ahead.