Whenever I meet new people, one of the inevitable questions that comes up is “So, what do you do?” and whatever that piece of information is, it becomes one of that person’s defining characteristics. He’s a chef. She’s a banker. They are artists. Our work often defines us as people.
In the past 12 months I worked on 12 shows for seven different companies. There was a one-woman show about the birth of modern dance at the time of WWII (A Time To Dance), a collaborative storytelling project to celebrate World Theatre Day 2009 (My First Time: The Tour),& a clown show (Holy Mo). There was Shakespeare in a park (Hamlet), Stoppard in a park (Rosencrantz & Guildenstern are Dead), and a magic show (Unshuffled). I stage managed a a dark tale of pedophilia, murder , & forgiveness (Frozen), a response to gay-bashing (Stop Kiss), and a magical Narnian adventure (The Lion, The Witch, & The Wardrobe). I worked with 22 emerging artists on a showcase piece(You Still Can’t), 16 musicians & storytellers on a Christmas extravaganza (Christmas Presence) and the graduating class of the William Davis Center for Actors’ Study (Memory).
Of those twelve shows, some of them were only a single night (Unshuffled, My First Time: The Tour) while others ran for six weeks or more (The Lion, The Witch & The Wardrobe; You Still Can’t) and the rest were somewhere in between. Each time, a new venue, a new group of people, a new set of challenges to look forward to.
The variety is part of the fun of being a freelancer. I get to take on all different
sorts of projects over the course of the year, working with all different sizes of companys and on all different sorts of projects. I have a couple of contracts in place for 2010: I”ll be returning to Pacific Theatre to Stage Manage Refuge of Lies by artistic director Ron Reed which opens mid-April and I’m booked for the month of February as well. Other than that the new year is a blank slate. I’m sending resumes across the country. I’ve told myself that I will apply for every stage management position I hear of that I could even possibly qualify for. Chances are I will have moments where I look just as crazy as I did last March when I did that mailout. I’m taking a leap of faith that there will be work for me and that I will continue to be able to live off my theatre income.
My work related goal for the next year: get my first equity apprentice stage management credit.