Tag Archive: The Cultch

2012 in Review: Shows That Made My Heart Beat Faster

I cannot write a top five or top ten list when it comes to theatre in a year. How do I decide to include such an arbitrary number!? Instead, here are the shows I saw this year that made my heart beat faster, that moved me to action, that left me gasping, that pushed me to keep doing what I do, and that have stuck with me at the end of the year.

In no particular order.

Jonathon Young and Meg Rowe in All the Way Home

Jonathon Young and Meg Rowe in All the Way Home

All The Way Home (Electric Company) website
I had a hard time picking between All The Way Home and Initiation Trilogy, both from the Electric Company, when i was beginning to compile this list. I chose All the Way Home because it was one of those productions where not only was it excellent, but EVERYTHING about it was excellent. The cast, the design, the direction, and the implementation in it’s unique set up on the stage of the QE all worked extraordinarily well. I was moved to tears by this production and in it’s final beautiful moments I sat wanting to bathe in that beauty and not let it leave. Though that transience is part of what made it so special.

Tempting Providence (Theate Newfoundland Labrador at Gateway Theatre) website
I had been hearing one of my mentors sing the praise of this show for at least four years before I finally got my chance to see it live up to all the praise she had heaped on it. It is a play that is beautiful in its simplicity and specificity, with each movement, prop, and set piece carefully chosen to serve multiple purposes, but above all to serve the story. I saw this show shortly after a friend accused me of only liking big shows with spectacle to which I had responded that what I was most interested in was shows that work as a whole and make big choices – something this show did so beautifully. I searched for a photo from the production to include in this post, but the photos I found came no where near capturing the show’s simple beauty, so I decided against including one.

Stationary

Stationary

Stationary (Delinquent Theatre at Neanderthal) website
I had seen this show back when it was Parked! at Bridge Mix in 2011 and was so excited to see a longer version. By the time I was able to attend the show had been running for a few days and the festival was abuzz with delight at the talent of this young company. I was definitely not disappointed – even with high expectations – and have since purchased the soundtrack which I listen to frequently and continue to hope that I will get to see this show again. I saw the lives my friends are living on that stage – bachelors degrees, dead end jobs, and a desire for something more.  I also saw an incredibly talented group of performers who showed themselves to be more than triple threats, adding multiple musical instruments to their repertoire. Is the show perfect? No. Not yet at least. But it is absolutely wonderful and from the look of things, the show is moving forward as a run in April 2013 at Presentation House has already been announced. As Delinquent Theatre says, “Real life is disappointing.  Singing about it definitely takes the edge off.”


The God that Comes (2b Theatre & Hawksley Workman at SummerWorks) website
The night of debauchery that was The God That Comes was one of my favourite nights of the year. Everything about the experience – from the time the door opened – was created to enhance the spectator’s understanding and enjoyment of the evening. I went with my new SummerWorks friends at the last minute, paying for tickets since it wasn’t included in our program and we were so glad we went. We were greeted by attractive young men and women who fed us grapes (or decorated our bodies with grapes) and wine. We drank wine straight out of the bottle as we were encouraged to do as the incredibly talented Hawksley Workman told the story of Bacchus using The Bacchae as the primary source. It was part cabaret, part concert, and wholly theatrical. There is a moment near the end where Workman has a tall staff in one hand that he beats against the floor in time to the music, and as the lights changed with it I think my heart beat shifted to beat in time with the music. It’s playing at Club PuSh in a couple of weeks and I’m terribly upset that I will be unable to see it again. But rumor has it a concept album will be released and I will be buying that as soon as it is.

Rebecca Northan as Mimi

Rebecca Northan as Mimi

Blind Date (Rebecca Northan at the Cultch) website
This was a Blind Date that I returned to four times during its run in Vancouver for the simple reason that it had a great mix of heart and humor. While Mimi the Parisian Clown teased her various dates and pushed them out of their comfort zone, the level of care that Northan offered them during the performance was outstanding. It was also outstandingly funny. After my first night in attendance my face hurt from smiling and laughing so hard – an experience that I rarely have at the theatre.  Northan is an expert improvisor who carefully shapes the path she wants the evening to take, guiding the men with an almost invisible hand until you return a few times and see the small ways in which she is able to guide the story to its intended conclusion.

Matilda the Musical (RSC @ Westend London) website
This was perhaps the show that I was most looking forward to this year. I have been a fan of the source material – Roald Dahl’s Matilda – since I was an eight year old bookworm. I was not a fan of the film version, but found that the play had the same heart as the book while adapting itself enough to make for a great musical. I knew all the songs going in, but found the staging to be breathtaking and ever so imaginative – which it had to be since the imagination as at the heart of the book. The cast were really outstanding and I found myself grinning for the rest of the night. Indeed, I find myself grinning as I sit here writing about how much I enjoyed the show.

I also want to mention the following shows that stuck out to me during the year:

Red (Vancouver Playhouse/CanStage), Hunchback (Catalyst Theatre presented by The Cultch & Vancouver Playhouse), Craigslist Cantata (Arts Club/PuSh Festival), Goodness (Volcano Theatre at Firehall Arts Centre), King Lear (Honest Fishmongers Equity Co-op), The Exquisite Hour (Relephant Theatre at the Arts Club), Mary Poppins (Broadway Across Canada), God is a Scottish Drag Queen (Delcon Entertainment at Neanderthal Arts Festival & Vancouver Fringe), When it Rains (2b Theatre at SummerWorks), Bookworm (Corin Raymond at the Vancouver Fringe), Twelfth Night (Shakespeare’s Globe), and La Cenerentola  (National Opera of Paris).

obstructions-logoFinally, the theatrical endeavour which has been the most rewarding, encouraging, and mind-bending for me in 2012 has been the Obstructions series. For those of you unfamiliar, the companies who make up Progress Lab (Boca del LupoElectric Company TheatreFelix CulpaLeaky Heaven CircusNeworld TheatreThe Only AnimalPi TheatreRadix TheatreRumble ProductionsTheatre Conspiracy, and Theatre Replacement) have been challenging each other to up their game and re-examine their company aesthetics by testing the idea that creativity feeds on limits. Inspired in part by The Five Obstructions by Jørgen Leth and Lars Von Trier, the core artists of each participating company  submit, a few at a time and under a cold spotlight, to a list of obstructions delivered by a shadowy emcee. The companies are then commanded to create their next production around those limitations. The obstructions for each company are developed in secret by their peers – a custom-designed set of obstacles that will prompt each artist to adapt to a new approach to making theatre. Their individual tendencies toward form, place, style, theme, design, period, story are exposed and obstructed, spilling the artist’s bag of tricks all over the stage and out of reach.

The performances that have been spawned by the challenges which take place approximately once a month are a huge highlight for me, as the theatre community gathers together with our patrons and pushes what we are capable of while creating some beautiful theatre. I missed the Pi Theatre and Theatre Conspiracy performances while I was in Europe, but attended the Boca del Lupo, Felix Culpa, and Radix Theatre performances. This series continues into 2013 and I can’t wait to catch more of the performances when I am in town. Because a show done on a set built entirely of carrots likely never would have happened without a challenge like this.

2012 in Review: Shows I Saw

For the last four years I’ve been keeping track of what I see, and each year the number has been growing. This year I saw a staggering 174 different productions (some of them more than once) spanning the performance art disciplines in 10 cities and five countries. I saw a high school production and a West End Musical. I went to the Vancouver Fringe and the Paris National Opera. I saw magicians, musicals, and modern dance; ballet, busking, and butoh; Shakespeare, site-specific, and SummerWorks.

As with every year there are shows I regret missing, but there are way less this year. There were things I wanted to see in London that I didn’t make it to. I couldn’t see every show at PuSh. I missed Terminus at SummerWorks.But overall, I saw more great theatre this year. Of course, I also walked out of two shows this year (something I rarely do) and wanted to walk out of at least three others that I couldn’t walk out of due to political reasons or logistics.

Here they are, the 174 shows I saw in 2012 in something close to chronological order:

  1. Waiting for Godot (Blackbird Theatre at the Cultch)
  2. Never Swim Alone (TWU)
  3. All The Way Home (Electric Company)
  4. Red (Vancouver Playhouse)
  5. The Idiot (Neworld/UBC at PuSh)
  6. Amarillo (Teatro Linea de Sombra at PuSh)
  7. Glory Days (The Boys Upstairs Equity Co-op)
  8. Hot Pepper, Air Conditioner (Chelfitsch Theater at PuSh)
  9. Gunmetal Blues (Playhouse)
  10. El Pasado un animal grotesco (Grupo Marea at PuSh)
  11. Craigslist Cantata (Arts Club Theatre at PuSh)
  12. Almighty Voice and his Wife (Native Earth Performing Arts/Touchstone Theatre at PuSh)
  13. Calendar Girls (Arts Club)
  14. No. 2 (Silo Theatre at PuSh)
  15. Danny and the Deep Blue Sea (Pacific Theatre)
  16. Bride on Credit (TWU)
  17. Tempting Providence (Gateway Theatre)
  18. Problem Child & The End of Civilization (Theatre at UBC)
  19. I Love You Because (Intimate Productions)
  20. Intimate Apparel (Arts Club Theatre)
  21. The Silicone Diaries (Nina Arsenault at The Cultch)
  22. Hunchback (Catalyst Theatre at The Vancouver Playhouse)
  23. All Shook Up (Chemainus Theatre Festival & Gateway Co-pro)
  24. Ignorance (Old Trout Puppet WorkShop at The Cultch)
  25. Doubt (Pacific Theatre)
  26. Goodness (Volcano theatre at the Firehall)
  27. King Lear (Honest Fishmongers)
  28. Kismet 1 to 100 (The Chop at Gateway)
  29. A Vessel of Ruins (Taketeru Kudo – Tokyo)
  30. Barber of Seville (Vancouver Opera)
  31. Importance of Being Earnest (Arts Club)
  32. Importance of Being Earnest (Gallery 7)
  33. Flop (Delinquent Theatre)
  34. Snooker (Camillo the Magician)
  35. Fresco (BellaLuna Productions)
  36. The Bombitty of Errors (20-Something)
  37. Scar Tissue (Arts Club)
  38. Henry & Alice: Into the Wild (Arts Club)
  39. EndGame (Main Street Theatre)
  40. A Last Resort (Rough House Productions)
  41. Trial by Jury (VSO & Vancouver Opera Ensemble)
  42. Aida (Vancouver Opera)
  43. The Exquisite Hour (Relephant Theatre)
  44. 100 Saints You Should Know (Pacific Theatre)
  45. Blue Box (Neworld Theatre)
  46. Bliss (Ballet BC)
  47. High Society (Arts Club)
  48. Godspell (Christ Church Cathedral)
  49. Obstructions – Boca Del Lupo
  50. Shelter from the Storm (Touchstone/Firehall)
  51. Fantasticks (Gallery 7)
  52. MacBeth (Bard on the Beach)
  53. Wolf at the Door (Pacific Theatre)
  54. Not Everything You Are (Stones Throw)
  55. Obstructions – Felix Culpa
  56. UnBoxed (Scarlet Satin)
  57. Reasons to be Pretty (Matchbox Theatre)
  58. The Alchemist
  59. Xanadu (Arts Club)
  60. Titanic (TUTS)
  61. The Music Man (TUTS)
  62. King John (Bard on the Beach)
  63. Merry Wives of Windsor (Bard on the Beach)
  64. Alter Boyz (Arts Club)
  65. Armed (Xua Xua)
  66. Mary Poppins (Broadway Across Canada)
  67. Stationary (Delinquent Theatre at Neanderthal)
  68. Coercion (Hardline at Neanderthal)
  69. God is a Scottish Drag Queen (Delcon Entertainment.at Neanderthal)
  70. The List (Bouchewhacked! at Neanderthal)
  71. Tyumen, Then (Groundwater Productions at Neanderthal)
  72. House of X (Wild Excursions at Neanderthal)
  73. The Taming of the Shrew (Bard on the Beach)
  74. Obstructions – Beautiful Karrats (Radix)
  75. Sunday Service (Neanderthal)
  76. Exhibit A (411 Dramaturgy at Neanderthal)
  77. The Marraige of Figaro (Summer Opera Lyric Theatre)
  78. My Pregnant Brother (Freestanding Productions at SummerWorks)
  79. France or the Niquab (Old Pirate at SummerWorks)
  80. Haunted (The Haunted Group at SummerWorks)
  81. Artaud: un Portrait en Decomposition (TheatreRUN at SummerWorks))
  82. Medicine Boy (Native Earth at SummerWorks)
  83. Purge (Brian Lobel at SummerWorks)
  84. One/Un (Orange Noyée at SummerWorks)
  85. The God that Comes (2b Theatre at SummerWorks)
  86. When it Rains (2b Theatre at SummerWorks)
  87. Petrichor (Kitchenband at SummerWorks)
  88. Barrel Crank (Suitcase in Point at SummerWorks)
  89. Extinction Song (Voodoo Theatre at SummerWorks)
  90. Dutchman (lemonTree Creations)
  91. Wondermart (Rotozaza at SummerWorks)
  92. Marine Life (Theatre Crisis and Aluna Theatre at SummerWorks)
  93. Captain Ron’s Ship of Friendship/Atomic Vaudeville Cabaret (Atomic Vaudeville at SummerWorks)
  94. The Frenzy of Queen Maeve  (Live Lobster Theatre at SummerWorks)
  95. Breath in Between (Breath Collective in Association with Crow’s Theatre at SummerWorks)
  96. 40 Days and 40 Nights (Nina Arsenault at Summerworks)
  97. Your Side, My Side and the Truth (Compass and Trying Science Co-Production at SummerWorks)
  98. Peachy Coochy (Summerworks)
  99. We Will WeeTube (An Experiment with Theatre Replacement’s WeeTube at SummerWorks)
  100. Iceland (The Iceland Collective at Summerworks)
  101. Speed the Plow (SoulPepper)
  102. Motor Vehicle Sundown (Andy Field at SummerWorks)
  103. Midsummer Night’s Dream (CanStage)
  104. Mojo (ItsaZoo)
  105. Eurosmash! (Die Rotten Punkte at The Cultch)
  106. My Marvellous Melcher Machine (James Melcher)
  107. Pirates? (Quimera Collective)
  108. Just Bust a Move (Nathaniel Roy)
  109. Home Free (Staircase XI)
  110. Riverview High: The Musical (Entrance Theatre)
  111. In the Time of the Dream Warrior (Golgonooza)
  112. The 1812 Event (Just Push Play)
  113. Romance (Queer Arts Society)
  114. Adult Entertainment (Squidamisu Theatre)
  115. ReLapse (And the Other Leg)
  116. Miss Cosmos (Bright Young Theatre)
  117. Felony (Dreams Beyond 30)
  118. First Day Back (10 Foot Pole)
  119. Alpha (Compassionate Bone)
  120. Three More Sleepless Nights (o.o.o.o.)
  121. Weaksauce (Sam Mullins)
  122. You Are Here (Allentina Francesca)
  123. Hip Hop Shakespeare Live Music Videos (411 Dramaturgy)
  124. Tales Told by Idiots (Not The Mermaid)
  125. Lost in Twine (Looking for 143 Productions)
  126. Underbelly (Jayson MacDonald)
  127. Zanna, Don’t (Awkward Stage)
  128. Psychopomp (Psyche Theatre)
  129. Smudge (Two Wrongs That Write)
  130. God is a Scottish Drag Queen (Delcon Entertainment)
  131. Peter ‘n’ Chris Explore Their Bodies (Peter ‘n’ Chris)
  132. Loon (Wonderheads)
  133. Gadfly (Theatre of the Beat)
  134. Guernica (Hidden Harlequin Theatre)
  135. Fishbowl (Mark Shyzer)
  136. How to Love (Idea Factory Entertainment)
  137. Welcome to my Wake (INC – Ingrid Nilson Collective)
  138. Little Lady (Sandrine Lanford)
  139. The Histories AKA Will Shakespeare’s ImproMusical (GrinkeInk)
  140. Riot (Carson Graham Secondary)
  141. The Missing Piece (Theresa Hamilton)
  142. The Best, Man (Urban Rogues)
  143. Risk Everything (Squidamisu Theatre)
  144. No Tweed to Tight (Ryan Gladstone)
  145. Vincent (Spitfire Productions)
  146. Bookworm (Corin Raymond)
  147. Blind Date (Rebecca Northan at the Cultch)
  148. Post Secret: The Play (TJ Dawe, Kahlil Ashanti & Frank Warren)
  149. The Spitfire Grill (Midnight Theatre Collective at Pacific Theatre)
  150. Capslock: The Musical (Pipedream Productions)
  151. Master Class (Arts Club)
  152. White Rabbit, Red Rabbit (Elbow Theatre at The Cultch)
  153. A Beautiful View (Ruby Slippers)
  154. Zombie Syndrome (Virtual Stage)
  155. The Unplugging (Arts Club)
  156. Initiation Trilogy (Electric Company/Boca del Lupo/Writers Fest)
  157. Debts (ItsaZoo)
  158. La Boheme (Vancouver Opera)
  159. Dancing at Lughnassa (Capilano University)
  160. Chelsea Hotel (Firehall)
  161. Cozy Catastrophe (theatre Melee with Rumble and the Cultch)
  162. Gold Mountain (Les Deux Mondes & unity theatre at The Cultch)
  163. Dickens’ Women (Miriam Margoyles at The Cultch)
  164. Go Back for Murder (SAMC Theatre @TWU)
  165. Tomb with a View (Genus/Up in the Air)
  166. Far Side of the Moon (Ex Machina @ SFU)
  167. Matilda the Musical (Royal Shakespeare Company in the Westend)
  168. Twelfth Night (The Globe)
  169. NSFW (Royal Court)
  170. The Effect (National Theatre)
  171. Die Entführung aus dem Serail (Zurich Opera House)
  172. Jultrad-i-tion (Gotenburg Opera)
  173. Don Quixote (Ballet of the National Opera of Paris)
  174. Le Retour (Odeon Theatre of Europe)
  175. La Cenerentola (National Opera of Paris)

Judas Opens Tonight at The Cultch

Photo by Itai Erdal

Working on Judas has been such a blessing. If you’ve talked to me in the past two weeks I’ve no doubt exclaimed something about how smoothly things were going. The process of getting this show up has been an absolutely joy to be a part of. And last night we had our preview and got to hear an audience respond to what they were seeing with laughter, audible gasps and a standing ovation before the actors were back on stage for their curtain call. I don’t think it gets better than this: doing what I absolutely love with amazing people on a powerfully thought-provoking script.

Tonight’s opening performance is sold out, but there are currently tickets available for the rest of the run. To purchase tickets, vist www.thecultch.com.  The Last Days of Judas Iscariot runs until Saturday, April 21, 2012.

Bob Frazer, Ron Reed, & Todd Thomson. Photo by Itai Erdal

2011 in Review: Shows I Saw

Last year when I wrote about all the shows I had seen, I set forth a two part goal.  I wanted to achieve balance in my hobbies and I wanted to end the year with no regrets in regards to my theatre viewing.

Now here we are at the end of the year and even though I saw more shows than ever I’d say I did do better in finding balance.  Part of the reason that makes sense is that instead of stage managing all year I spent 5 months working for the Vancouver Fringe.  For the most part it was a day job which left my evenings free to see some awesome theatre.

But I do have a handful of shows that I regret not seeing.  I missed the work of the guys at Main Street Theatre for the second year in a row.  I missed Death of a Salesman at the Playhouse. I didn’t go see Ride the Cyclone more than once. I didn’t see Wonderheads during the Fringe (but lucky for me they won an award and will be at the Cultch next year!). I missed Wicked Shorts. 

For the first time in a couple of years, my list is entirely West Coast – I didn’t make it out to Edmonton or Toronto this year, which I regret, but I’m looking forward to more travel in the coming year – including my first ever trip to Europe!

Here they are – the 155 performances I attended in 2011, in something close to chronological order.

La Marea at the PuSh Festival. Photo by Flickr user jmv

  1. Wee Tube (Theatre Replacement)
  2. La Marea (Boca Del Lupo/PuSh Festival/Mariano Pensotti)
  3. The Pavillion (Osimous Theatre/Firehall Theatre)
  4. Iqualit (Berlin/PuSh Festival)
  5. Circa (Circa/UBC/PuSh Festival)
  6. 100% Vancouver (PuSh Festival/Rimini Protokoll/Theatre Replacement)
  7. Tuesdays With Morrie (Gallery 7 Theatre)
  8. Dead Man’s Cell Phone (UBC)
  9. Floating (Hugh Hughes/Arts Club/PuSh Festival)
  10. Bonanza (Berlin/PuSh Festival)
  11. Whale (Boca del Lupo/Kyle Jesperson)
  12. Gloria’s Cause (Club PuSh/Donya Hansen)
  13. City of Dreams (Roundhouse/PuSh Festival/Peter Reder)
  14. My Name is Asher Lev (Pacific Theatre)
  15. Hard Core Logo: Live (November Theatre/Touchstone Theatre/Theatre Network/PuSh Festival)
  16. Avenue Q (Touring Broadway Production)
  17. August: Osage County (Arts Club)
  18. Peter Panties (The Cultch/PuSh Festival/Leaky Heaven/Neworld)
  19. Clemenzia di Tito (Vancouver Opera)
  20. Who’s Afraid of Virginia Woolf? (Blackbird/Arts Club)
  21. Nocturne (20 Something Theatre)
  22. The Lieutenant of Inishmore (Fighting Chance Productions)
  23. Swimmy, Frederick & Inch by Inch (Mermaid Theatre of Nova Scotia)
  24. Jesus Hopped the ‘A’ Train (Glass City Theatre)
  25. Quiet in the Land (Gallery 7)
  26. Cinderella (Vancouver Opera in Schools)
  27. Wild Honey (UBC)
  28. Cinderella (Exit 22 at Capilano University)
  29. Chairs (Itsazoo)
  30. The Philanderer (Arts Club)
  31. 1984 (Virtual Stage/Studio 58 at the Cultch)
  32. Evelyn Strange (StairCaseXI)
  33. The Last 15 Seconds (MT Space Theatre/Firehall Arts Centre)

    The Last 15 Seconds at the Firehall. Photo from http://bikesbirdsnbeasts.blogspot.com/

  34. Under The Influence Cabaret (20 Something)
  35. The Bacche (TWU)
  36. Another Home Invasion (Arts Club/Tarragon)
  37. Jake’s Gift (PT/Juno Productions)
  38. The Forbidden Phoenix (Gateway Theatre)
  39. Rosmershom (United Players)
  40. Letters from a Soldier; My Name is Aslam (Stones Throw Productions)
  41. The Trespassers (Vancouver Playhouse/Belfry)
  42. Ballet BC’s 25th Anniversary (Ballet BC)
  43. Scared Scriptless (Vancouver Theatresports League)
  44. Dress Me Up In Your Love (Theatre Replacement)
  45. The Graduate (Arts Club)
  46. The Wiz (Fighting Chance)
  47. My Funny Valentine (Zee Zee Theatre)
  48. Tape (Alley Theatre)
  49. Side Show (Pacific Theatre)
  50. Mambo Italiano (Firehall/WCT)
  51. Prodigals (20-Something Theatre)
  52. Love/Stories (Kineticism)
  53. Beautiful Problems (Radix Theatre)
  54. The Great Divorce (Pacific Theatre)

    Pacific Theatre's "The Great Divorce" Photo provided.

  55. Eurydice (Secretly Women)
  56. Macbeth: Nacht Shakespeare (Theatre Conspiracy)
  57. Hairspray (Arts Club theatre)
  58. What we leave behind (Lamondance)
  59. Community Dinner (Rumble Productions)
  60. Wicked (Broadway Across Canada)
  61. A guide to Mourning (Genus/Enlightenment Theatre)
  62. Merchant of Venice (Bard)
  63. A Closer Walk with Patsy Cline (Arts Club)
  64. BridgeMix (Itsazoo)
  65. Matchmaker (Gallery 7)
  66. Verona Project (Stones Throw)
  67. Bash: Latter Day Plays (Hardlines Theatre)
  68. Bye Bye Birdie (TUTS Vancouver)
  69. The Casino/The Disappearing (Stones Throw)
  70. Party This Weekend (The House Party Collective)
  71. Project X (Faust) (Leaky Heaven Circus)
  72. Other Side Through You (Cat Main)
  73. Visitors (Walking Fish 2011)
  74. At First I Thought It Was (Walking Fish 2011)
  75. Armed  (Walking Fish 2011)
  76. The Gas Heart (Gas heart Theatre)
  77. Homecoming King
  78. Chairs  (Itsazoo) (The revised version)
  79. My Pregnant Brother (Freestanding Productins)
  80. Compassion for Killers (Whirlwind Productions)
  81. Anything Goes (TUTS Vancouver)

    Anything Goes at TUTS. Photo credit unknown.

  82. Troika and The Troubles (Some of the New Bees/Resounding Scream)
  83. Flop! A one man musical (New Hands Theatre)
  84. Bare: a pop opera (Fighting Chance)
  85. When I Was (Les Petite Taquines)
  86. Richard III (Bard on the Beach)
  87. Kunst Rock (Die Roten Punkte/The Cultch)
  88. Sea of Sand (The Only Animal)
  89. As You Like It (Bard on the Beach)
  90. Cativo (Hardline Productions)
  91. Tough (20-Something Theatre)
  92. The Selkie Wife
  93. Trouble in Tahiti (VanCoCo)
  94. Archy & Mehitable
  95. Yum/Yuck
  96. Oh That Wily Snake!
  97. Jigsaw
  98. The Sparrow and the Mouse
  99. Phone Whore
  100. Screaming Silently
  101. wreckage

    Nita Bowerman's Fringe show "wreckage". Photo by Brendan Albano.

  102. This is Cancer
  103. Jesus In Montana
  104. Short & Sweet
  105. The Progressive Polygamists
  106. The Animal Show
  107. Rove
  108. Stay Away from my Boat, @$$hole (ItsaZoo/Vancouver Fringe)
  109. The Razzle Tassel Tease Show
  110. Lost in Place
  111. Duck Off
  112. Fruitcake
  113. The Mystery of the Hungry Heart Hotel (Peter ‘n’ Chris/Vancouver Fringe)
  114. Smile (Awkward Stage Productions/Vancouver Fringe)
  115. Tinfoil Dinosaur
  116. The Other Side
  117. Houdini’s Last Escape (Monster Theatre/Vancouver Fringe)
  118. Night of the B Movie
  119. The Devil & Billy Markham
  120. Giant Invisible Robot
  121. Sally Lives Here
  122. Mr. Kinski’s Cabaret of Bullshit (Vancouver Fringe)
  123. Acrobatic Daredevils

    The Acrobatic Daredevils at the Fringe. Photo by flickr user arianec

  124. Oh My God (Delinquent Theatre/Vancouver Fringe)
  125. Fortunate Son
  126. Willow’s Walk: Ripples in Time
  127. Arnie the Carnie’s House of Fun
  128. Next To Normal (Arts Club Theatre)
  129. Tuesdays with Morrie (Gallery 7 at Pacific Theatre) (The Remount)
  130. National Ballet of Canada’s 60th Anniversary Tour (National Ballet/Ballet BC)
  131. Little Orange Man (Snafu Dance Theatre/Vancouver Fringe)
  132. The Light in the Piazza (Patrick Street Productions)
  133. Circle Mirror Transformation (Arts Club Theatre)
  134. Ride the Cyclone (Atomic Vaudville)
  135. True Love Lies (Touchstone Theatre at the Cultch)
  136. A Funny Thing Happened on the way to the Forum (Fighting Chance Productions)
  137. Visions of Vancouver (Pi Theatre)
  138. Love Lies Bleeding (Alberta Ballet)
  139. West Side Story (Vancouver Opera)
  140. Romeo and Juliet (TWU)
  141. 50 Words (Mitch & Murray  Equity Coop)
  142.  Falling in Time (Screaming Weenie)
  143. Vimy (Firehall Arts Centre)
  144. The Outsiders (Gallery 7 Theatre)
  145. Penny Plain (Ronnie Burkett)
  146. Mary’s Wedding (Gateway)
  147. Blood Brothers (Arts Club)
  148. The Patron Saint of Stanley Park (Arts Club Theatre)
  149. A Christmas Carol (Pacific Theatre)
  150. La Cage aux Folles (Playhouse Theatre)

    The wonderful Greg Armstrong Morris in La Cage aux Folles. Photo provided.

  151. Hotel Bethlehem (Ruby Slippers Theatre)
  152. Sound of Music (Gateway Theatre)
  153. Christmas Carol Project (Brass Monkey Productions at the Cultch)
  154. The Gift Horse (Caravan Farm Theatre)
  155. Christmas Presence (Pacific Theatre)

I am already excited about what is to come in 2012.  My first booking of the year is for Blackbird Theatre’s Waiting for Godot.

The October To-See List

IMG_1452It’s officially fall. The leaves on the tree beside my balcony are turning yellow and the theatre season has kicked into high gear.  As I began going through the lists of what is playing in Vancouver this month I was overwhelmed by the sheer amount happening.   It seems to me that the volume of good theatre in Vancouver is increasing, and this can only be a good thing (though I’m not sure how I’m ever going to have time to see everything I want to). There are also a number of productions happening at post-secondary institutions that I am going to try to fit in.  This is in part because I have friends in this productions, but it is also because it is an opportunity to see the people who will be shaping our theatre community within the next couple of years.

Lot’s Wife (Studio 58) – A modern re-telling of the biblical story of Lot & his family (from the Soddom and Gommorah period – She of the famous pillar of salt).

Love You Forever…and More Munsch (Carousel Theatre) – 6 favorite Robert Munsch stories on stage. And this time featuring the first book I ever memorized: Love you Forever. (I still have the copy my parents were given when I was born).

Any Night (DualMinds, Touchstone & The Cultch) – The team behind this production is outstanding, the play itself won the “Best New Work” award at SummerWorks 2008 in Toronto.  It’s a psychological thriller that looks at privacy, paranoia & the role of the subconscious.

Gift of Screws – It’s two one act plays by local playwright Bill Marchant. And it is already allowing you to be a part of the process with videos from behind the scenes.  Just see it.

The Last Days of Judas Iscariot (Pacific Theatre & Pound of Flesh) – It’s a staged reading, but with a cast of Vancouver’s most well know and respected performers, it’s sure to be interesting. The concept:  Judas is on trial for betraying Jesus, but the witnesses span the centuries.

The Miracle Worker (Vancouver Playhouse) – It’s a classic. It’s also being done in Kamloops this year.  But this production is directed by Meg Roe, whose directorial debut with The Tempest last year remains one of my top theatre experiences.

Anatomy of Gray (Trinity Western Theatre) – Trinity is my alma matter so I always try to see their shows, but department chair Angela Konrad is a fantastic director and is at the helm of this play. I always look forward to shows she directs.

Evil Dead – The Musical  (either of the two productions)  – I don’t want to get political about this, choosing one production over the other. If you want more details about what’s happening with this, check out Rebecca’s blog.

The House of Kosa (TigerMilk Collective) – I love seeing shows at Vancouver’s PAL theatre because it is such a unique performance space.  The play is about haute couture and is by another local playwright.

In addition to my regular Vancouver list I’m hoping to see a couple of shows in Portland. I have plans to head down for a week to visit friends from University and I always try to take in a show when I am down there. We’ll see what I can fit in this time. If you know of any great shows playing in Portland mid-October, drop me a note and let me know – I’d love to check them out.